shadows gcse dance aural setting

Study A Linha Curva Costume flashcards from 11DS1 Elin Douglass's class online, or in Brainscape's iPhone or Android app. Aural setting ; The accompaniment is a composition created specifically for the work, Seymour Milton in collaboration with James. DOC GCSE Revision Questions - moodle.greenfieldschool.net Aural setting Performance environments . [1 mark] 0 .5 2 . AQA GCSE Dance 15 Week Revision Timetable . Shadows - Flashcards in GCSE Dance In my dance the action can be read literally or metaphorically, within the intimacy of an insular family environment or on a more universal scale. GCSE Personal Learning Checklist: Dance Professional Works A Linha Curva: ☺ Choreographer Company Date of first performance Style Choreographic approach RADS Examples Costume Set/Staging Lighting Aural setting (This is Accompaniment) Artificial Things: ☺ 2. Describing a selection from the aural setting. PDF DANCE Year 10 THEORY MAGHULL HIGH SCHOOL CURRICULUM MAP 2 *02* . PDF St Laurence School Ks4 Curriculum Map 2021-22 DOC GCSE Revision Questions - moodle.greenfieldschool.net Choose any 3 theory courses for £50. Component 2. Within Her Eyes AURAL SETTING! Modern dance techniques with classical and contemporary dance language termed "neo-classical". 2. Shadows GCSE Dance (8236) Anthology fact file . This lesson allows GCSE Dance students to break down 3 sections of Infra in order to analyse the set/ staging. Within Her Eyes. Bruce was Associate Director of Ballet Rambert from 1975-1979, Associate Choreographer in 1980, then Artistic Costume . 26th Nov 2014. A-Linha-Curva-FF. GCSE Dance set works. 1. Shadows is part of the GCSE Dance Anthology of professional set works. Settings which create a continuity of theme. Location Mood A Linha Curva. Performance Environment: A Linha Curva is performed on proscenium arch, or end on, staging. 77 terms. ABOUT THE COURSE. Aural Settings Performance Environments Short and to the point. I have Powerpoints which go through the answers to accompany this. There is a raised platform, up stage, where the four musicians perform. . . Learn faster with spaced repetition. Introduction to GCSE Dance. GCSE DANCE Component 2 Dance appreciation . Anthologies 4-6 T3 Within Her Eyes T4 Artificial Things T5 Shadows Duet/Trio Performance Choreography Release AQA . No extended writing in this section. Props: Six skateboards are used during section 2 to slide some of the male dancers across from SL to SR. Flashcards. 3. Component 2 Dance appreciation . A two lesson course drawing out descriptions and contributions from a selection of the music from Shadows. Settings which create a dimension e.g. A Linha Curva. Music, European history and tradition. Motif development, choreographic terms and structure. The piece includes a table, a bench, two stools, a coat stand and suitcases. GCSE Dance Anthology Infra (Wayne McGregor, 2008) Contemporary ballet. 0.0 / 5. Introduction to Shadows - GCSE Dance . GCSE Dance (8236) Anthology fact file Rambert in 1963. AQA 1-9. following: Staging/ set, Lighting, Props, Costume, Dancers and Aural setting. over-large images to make the dancer appear small. Aural setting . Aural setting . Shadows Date of first performance. Shadows. Set Phrases Performance in a Trio Creation, development and performance of Choreography. The new specification recognises the role of dance in young people's lives and as a result, students will study a range of dance styles. Choreographer of A Linha Curva (5, 6) . The "anxiety of the music" greatly influenced the movement content, with the . [1 mark] £20 each - any session you like. SHADOWS AURAL! 1. Aural setting . can be in any style or style fusion(s) (as long as it meets the assessment criteria) communicates their own chosen choreographic intention. . # gcsedance # gcsedancers # gcse # danceexam # danceex2018 # danceteacher # danceteachers # dancerevision # artspool # revision # dancerevision # dancer # shadows # christopherbruce Aural setting The accompaniment is Arvo Part's Fratres (composed in 1977), the version for violin and piano pre-recorded for use in performance. GCSE DANCE Learning Journey BTEC Level 3 Performing Arts BTEC Level 3 Dance . This course will [.] The dancers also contribute to the vocal sounds. Emancipation of Expressionism. No extended writing in this section. It ends in a practice 12 mark question: Discuss how the staging/set and the lighting in Infra contribute to our appreciation of the work. 05 2 Describe one way in which your choice of aural setting could support the GCSE DANCE Component 2 Dance appreciation 8236/W Thursday 13 June 2019 Afternoon Time allowed: 1 hour 30 minutes You will not need any other materials. Shadows student booklet covering all aspects of the AQA fact file. Bruce was Associate Director of Ballet Rambert from 1975-1979, Associate Choreographer in 1980, then Artistic Dance GCSE dance info. Within Her Eyes. Settings which add colour. Shadows GCSE Dance (8236) . The course realises that most GCSE Dance students choose dance for the practical rather than theoretical focus, the course weighting for assessment being 60% practical and 40% written paper. Shadows: Aural Setting. Shadows uses a minimal set within a black-box (a simple set with bare walls and floor) theatre space. 2. A concise description with a focus on analysis, interpretation . A 2 lesson course on description and explanation. Christopher Bruce trained at the Ballet Rambert School, joining Ballet nurtured by Marie Rambert. Autumn 2 Appreciation of Shadows by Christopher Bruce. Lessons Status. Section B 6 mark choreography questions. choreographic process & devices, aural setting, choreographic intent Dance Appreciation Choreographic skills Year 11 GCSE Dance Autumn Term 1 3 hours per week - Anthology work 4- Within Her Eyes - Set solos- Breathe & Shift - Choreography - Features of production, performance environments, choreographic content, intent & approaches . ArtsPool 2018 . aural setting, performance environment, safe practice etc. I can't thank ArtsPool enough for all of the support with the new specification - it has made my job this year so much simpler and I couldn't be more grateful! Year 10 Dance LC5 Medium Term Plan Overarching challenge question 'Evaluate the ways in which the defining characteristics of 'Shadows' by Christopher Bruce enhance the audiences understanding of the choreographic intent.' Exam board links The GCSE Dance Anthology provides the focus for learning how to critically appreciate professional set works. It drops back to the piano for the very intimate and slow Kneeling section. 4. Types of aural setting: song, instrumental, orchestral, spoken word, silence, natural sound, found sound, body percussion. Before quieting down. Designed by Itzik Galili. The placing of the light can affect the outcome. AQA GCSE Dance - Shadows. ArtsPool 2018 . This includes key facts, motif, aural setting, costume, lighting and set design. Shadows Dance style. A two lesson course drawing out descriptions and contributions from a selection of the music from Shadows. Name the type of aural setting you would use in your dance. 7. How the aural setting supports meaning. Using minimal set within a black box (a simple set with bare walls and floor) theatre space. Describing a selection from the aural setting. Decide on appropriate aural setting. Set/Staging: A Linha Curva is performed on an empty stage. Costume. Set Phrase warm-ups and technique Learning the set GSE Dance phrase 'Flux' Mock Exam = Breathe and Choreography solo. Frates prerecord Clear link between movement and music Violin and piano. Hard core! Props used (11) 7. Aural Setting x2 Students are guided through tasks . A 3 lesson course on describing all 3 areas and explaining how they link together. aesthetic contexts of dance. Doesn't prepare movement, work with dancers. understanding of the choreographic intent of Shadows. He started Shadows with the idea of a family unit sitting around the hearth or around a dinner table and knew that the furniture would become an intrinsic part of the choreography as opposed to being a static set. This will be displayed in my teaching spaces and given to each student for their book/folder and forms part of a T&L strategy. 951 subscribers. intrinsic part of the choreography as opposed to being a static set. Aural Setting. which: includes a chosen aural setting. Name the type of aural setting you would use in your dance . Question 18 : Again, better responses to . Please note this is not the full booklet. Our range of resources are written specifically for the current GCSE Dance Specification. A,S,D,R. 1 quiz. Beth_284. Similar Dance resources: GCSE Dance. C2 Written Paper Revision Guide. Here you will find descriptive words and phrases for set, lighting, aural setting, costume, props, use of camera, number & gender of dancers. Multiple settings which change the context within one dance piece. . For Bruce, as well as being appropriate to the piece, the movement must also sit well on the dancers. Test yourself on this resource another way. It is designed to broaden students' knowledge of dance through technical and creative practical tasks, as well as the study of professional choreographic work. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Lessons Status. It's a PowerPoint document that is fully editable. GCSE Dance (8236) Anthology fact file . [12 marks] Have a go at these question; Name the type of aural setting used in Shadows. Lighting. He is the last major choreographer to have been Choreographer . Movement Memory . GCSE DANCE C2 WRITTEN EXAMINATION REVISION GUIDE for thinking dancers. Pay per hourly session. Why is aural setting/music important to dance pieces? Students must learn how to respond creatively to an externally set stimulus, to choreograph their own solo or group dance. GCSE Dance. Settings which add colour. Shadows GCSE Dance (8236) Anthology fact file. He is the last major choreographer to have been Choreographer . Course Content. YouTube. Ucas personal statement opening lines. Aural Setting : Describing what you hear. 5. The music combines electronic elements with strings and piano creating a haunting and emotive accompaniment that blends seamlessly with the choreography, 7. Aural setting. warm up and cool down? GCSE . Shadows Aural Setting. Choreographer . All 2. Shadows is part of the GCSE Dance Anthology of professional set works. The accompaniment is a composition created specifically for the work, which evolved alongside the choreography, created by composer Seymour Milton in collaboration with James. 1. A Linha Curva. The dance floor is a light grey and around the edge is a wooden Mental Skills . However, the answer is worth 6 marks and so you need to understand how to build it to access the top mark bands. Discuss how the staging/set and use of camera in Within Her Eyes contribute to the mood of the work. . • aural settings eg song, instrumental, orchestral, spoken word, silence, natural sound, found sound, body percussion, style, structure and musical elements such as tone, pitch and rhythm • dance for camera eg placement, angle, proximity, special effects. some students referred to Shadows, others to Artificial Things. Shadows uses a minimal set within a black-box (a simple set with bare walls and floor) theatre space. Infra. Developing confident, respectful and successful young people Dance styles The GCSE Dance course uses a wide range of dance . C2 Written Paper Revision Guide. 15 terms. Aural setting . . These are: Please note that until the first cohort has gone through the specification, and the written paper has been marked for the first time in 2018, this should be taken as a guide only. Good studio practice - Warm up, cool down, appropriate dance wear and footwear, hair and jewellery. Start studying GCSE Dance - Shadows. . Share: Tweet. Director of Learning - Creative and Physical Innovations. Identification of type (1 mark). This booklet outlines the key facts from Shadows focusing on setting, lighting, costume, aural setting and key motifs. The accompaniment is Arvo Part's . How the aural setting supports meaning. Shadows Student Booklet-GCSE Dance . a group dance of a minimum of three minutes and a maximum of three and a half minutes for two to five dancers. Revision and catch up. Aural Settings Performance Environments Short and to the point. Shadows Choreographic approach. This is a GCSE Level course for pupils in year 9 and above (14+) who might wish to pursue a career in dance. Settings which create a dimension e.g. Dance . 0.0 / 5. AQA GCSE Dance 15 Week Revision Timetable . Aural Setting. Male and female dancers both wear black vests The accompaniment is a composition created specifically for the work, which evolved alongside the choreography, created by composer Seymour Milton in collaboration with James. phoenixdancetheatre. 2.45 -3.45 pm Section C: Building 12 mark answers Looking closely at the mark schemes and addressing the feedback from the 2019 exam or. Description: Electronic, folk, orchestral, rock etc. Multiple setting/ props for interest. Shadows Am I able to: - Identify the choreographic intention and stimuli of the work Term 5 Theory Mock exam disruption. Lessons Status. It includes a table, bench and 2 stools (son moves furniture in solo and daughter uses table In hers- territorial) ,a coat stand and suitcases- all worn looking and drab which confirms the notion of hardship within the family. 8236 . . [1 mark] Discuss how the aural setting and costume in Shadows contribute to the meaning of the work. [12 marks] [Turn over] 34 *34* 35 *35* [Turn over] 37 Dance- Shadows. 2 homework assignments. Go4Schools and your Knowledge Organiser take notes and revise the professional works above - taking notes on the following: • Stimulus Choreographic intention • Lighting/ Set/ Costume/ Aural Setting 1: Name a use of space used in Shadows that helps create the mood of fear. A brief 1 lesson course helping you to analyse music and sound. Y ou a re cho re o g raph ing a group dance for four dancers using the text below as a stimulus. It may be used to define a dancer when they are performing- such as highlighting body parts or casting shadows. differences in the aural settings used in INFRA and SHADOWS, discuss how the aural settings enhance our appreciation of these TWO works. over-large images to make the dancer appear small. The . Bundle. Through written communication and us e of appropriate terminology, students must be able to critically analyse, interpret and evaluate their own work in performance and choreography and demonstrate their knowledge and understanding of professional practice in the six set works in the GCSE Dance Anthology. Component 2. A 2 lesson course on describing and explaining Anna Jones' set design. See my other files for matching booklets, SOW, lessons and resources on other AQA New Spec Dance anthology works. In the exam you will be required to: a linha curva knowledge organiser Emancipation of Expressionism is an 11-minute piece of hip-hop dance theatre, from Olivier Award-winning company Boy Blue Entertainment has been captured on film by Oscar-winning director Danny Boyle. 6. . Aural setting. Settings which create a continuity of theme. Infra. This is good news because this is your work and you know it best! What happens during the second half of the music? - Describe an appropriate aural setting - Describe an appropriate performance environment - Give several ways the chosen choreographic skill links back to the . Quizsearch.or combine it with others. 1. A Linha Curva. 3. Lighting Movement LIGHTING Mood Lighting Movement. Shadows Objective: Movement analysis - ASDR Link to theme of Shadows Knowledge & Skills development • Understanding of the constituent features of dance • Deprivation and poverty • Stylistic features of aural setting - Arvo Part - Fratres • Analysis of specific set design and props 10 terms. [12 marks] Describe one costume used in Infra. Shadows . Sarah Viccars. Shadows. The ability to remember phrases/whole Artificial Things. For scene three Andy Higgs wanted to create a futuristic atmosphere acknowledging that time had passed and that the old ways had . twelve sky 2020 on gcse dance knowledge organiser a linha curva; 0. Fratres (composed in 1977), the version . 5. . This powerpoint lists all the categories and topic that are covered in the 40% written component and can be used as a game/quiz as each heading appears first giving time for students to either, call out for points, discuss with partner, or just . A 2 lesson course on describing and explaining the lighting in Artificial Things. Use this set; . Shadows. Performance Environment: A Linha Curva is performed on proscenium arch, or end on, staging. Performance. Visit my shop for more resources! RIDOMS. GCSE Dance (8236) Anthology fact file Rambert in 1963. Shadows Stimulus. Particular attention will be given to technical, physical and expressive skills. Description: Electronic, folk, orchestral, rock etc. Course Content. Aural setting : The music is written by Percossa, a percussion group based in Holland. Lighting can also be used to highlight key moments or climax in dance. . Aural & Physical Setting ASSESSMENT: ½ TERMLY PRACTICAL AND WRITTEN MOCK KS3: Literacy, History . YOUNG_Amy. . Location Mood £4.50. Study A Linha Curva Aural setting flashcards from 11DS1 Elin Douglass's class online, or in Brainscape's iPhone or Android app. MARK SCHEME - GCSE DANCE - 8236 - SPECIMEN 2018 Section A - Knowledge and understanding of choreographic processes and performing skills. Choose all of Day 2 for £90 [5 sessions]. Scottish Nostalgias: Evocations of Home in the 1990s Poetry of Carol Ann Duffy, Jackie Kay, and Kathleen Jamie [6 marks] 1 6 Name one type of aural setting used as an accompaniment in A Linha Curva. Multiple setting/ props for interest. Performance environments - proscenium arch, end stage, site sensitive, in-the-round. Shadows . This powerpoint lists all the categories and topic that are covered in the 40% written component and can be used as a game/quiz as each heading appears first giving time for students to either, call out for points, discuss with partner, or just . (AQA GCSE Dance) Application of physical, technical & expressive skills to communicate intent, narrative, character. Report on the Examination . AQA GCSE Dance Learning Journey. What group performs the accompaniment/aural setting (8) 5. Set/Staging: A Linha Curva is performed on an empty stage. Contemporary technique. It must include a chosen aural setting, be performed in any style or style fusion and communicate their own chosen choreographic intention. 13 of 14 AQA 1-9. Practical assessment where students will perform their group choreography task. Learn faster with spaced repetition. 10 . What makes a balanced diet? Page 2 of 6 « 1 . GCSE Dance. counts to the aural setting or other dancers Rhythmic Content Patterns of movements that can be repeated . Choreographic approach - improvisation, collaboration with Term 5 Practical. 4) Shadows - Christopher Bruce 5) Infra - Wayne McGregor Questions will focus on: Production elements - staging, set, lighting, props, costume, dancers, aural setting and dance for camera. GCSE DANCE Professional works. Exploring works with more difficult aural setting: Max Richter's Infra, Arvo Part's Shadows, Andy Higgs' Artificial Things. - Describe an appropriate aural setting - Describe an appropriate performance environment - Give several ways the chosen choreographic skill links back to the . Trio/duet choreography based on 3 set phrases (Find It inspired) with a choreography criteria. Shadows uses a minimal set within a black-box (a simple set with bare walls and floor) theatre space. 6 July: Anthology Content. • Make dance look aesthetically pleasing • Allows more challenging movements - more . DANCE . 37.5% (30 marks) - you should spend about 30 minutes on this section. This method can be used for describing the aural setting in your own work, and in the Anthology works. 6. There is a raised platform, up stage, where the four musicians perform. Artificial Things. Use of Camera aural setting, performance environment, safe practice etc. I am happy to leave the audience to interpret the work individually .". Phoenix Dance Theatre. The student is not required to perform in their . The music combines electronic elements with strings and piano creating a haunting and emotive accompaniment that blends seamlessly with the choreography, flowing as one. The piece includes a table, a bench, two stools, a coat stand and suitcases. the costume was designed by Itzik Galili.it was inspired by brazilian carnivals and features 10 different vibrant colours.the females wear black vests with varying necklines,coloured zips with the 10 colours in different positions and a scoop back.they also . Here you will be tested on 4 of the 6 works . Use of Camera Course content. What and why do dancers wear costumes? Section B of the written paper will require you to write about your own choreography. Christopher Bruce trained at the Ballet Rambert School, joining Ballet nurtured by Marie Rambert. Lighting Movement LIGHTING Mood Lighting Movement. Emancipation of Expressionism. . AURAL SETTING! Shadows uses a minimal set within a black-box (a simple set with bare walls and floor) theatre space. 4. 13 of 14 . Props: Six skateboards are used during section 2 to slide some of the male dancers across from SL to SR. Designed by Christopher Bruce. Shadows Am I able to: - Identify the choreographic intention and stimuli of the work 3.3 Dance appreciation. Course Content. Multiple settings which change the context within one dance piece. GCSE DANCE C2 WRITTEN EXAMINATION REVISION GUIDE for thinking dancers. Sign up to Comment. ( 1) Inspired by the work of 'leepeachy' - this is a learning journey that covers my delivery of the AQA GCSE Dance course. aural setting and lighting were included in section C, which were unnecessary. Developing confident, respectful and successful young people Shadows -Christopher Bruce Infra -Wayne McGregor A Linha Curva -Itzik Galili . 4. Choose the full Anthology day for £100 [6 sessions]. Join the full 2 day course [11 sessions] for £190. The music combines electronic elements with strings and piano creating a haunting and emotive accompaniment that blends seamlessly with the choreography, Subscribe. 1. June 2018. . The music, which includes vocal sounds, is played live by four percussionists and is influenced by Brazilian samba music. Zoom the GCSE: ONLINE CPD. • aural settings eg song, instrumental, orchestral, spoken word, silence, natural sound, found sound, body percussion, style, structure and musical elements such as tone, pitch and rhythm • dance for camera eg placement, angle, proximity, special effects.